Donald Hazelwood AO OBE,
Patron
Donald Hazelwood is Concertmaster Emeritus of the
Sydney Symphony Orchestra. From 1965 to 1988 he was the concertmaster and co-concertmaster from
1988 until his retirement in I998. He has enjoyed a long and successful
career at the forefront of Australian classical music.
I have recently been given the pleasure of being made patron of the Kendall National Violin Competition. This is a position I undertake with pride. Not only does this organization give young violinists the opportunity to demonstrate their individual talents, its image is also enhanced by the skill and artistry of one of our fine Australian violin makers, Graham Caldersmith, who, since the inception of the competition, has donated one of his instruments as the first prize. All previous winners have been in the forefront of Australia's young performers. I offer my congratulations to all those who have contributed as members of the organising committee and in the administration of such a worthy undertaking.
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Mary Vallentine,
Patron
Mary
Vallentine has worked in a wide range of performing arts
organisations since gaining her Bachelor of Arts degree
in Music and Drama in 1972. She is a former Managing Director
of the Sydney Symphony Orchestra and
was awarded an AO in the Queen's Birthday Honours list in
1996 for her services to Australian Arts.
The Kendall National
Violin Competition presents an inspiring opportunity for talented
young violinists to fully develop their potential. The visionary
use of Australian timbers to craft high quality concert instruments,
the competition's connection with the Kendall and mid-north coast
communities and the promotion of musical excellence make it a
truly Australian event. I am delighted to support it. |

Yehudi, Lord Menuhin
Perpetual Patron
a great opportunity to own a real Australian violin…a wonderful instrument with a beautiful sound
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Hazel Hawke
AO, Patron Emeritus
Hazel Hawke AO has been
Patron of the competition since its inception
The Kendall National
Violin Competition is a very worthwhile and exciting event not
only for giving opportunities for young musicians, but also in
recognition in the use of Australian woods in the making of concert
instruments and in bringing music to regional areas |